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Antonio Canova was a leading Italian sculptor of the neoclassical period, famed for his idealised marble works that were inspired by ancient art.<\/p>\n
Born on 1 November 1757 in the Venetian Republic town of Possagno, Canova grew up largely in the care of his paternal grandfather Pasino, a stonemason who nurtured the young boy’s precocious talent from an early age.<\/p>\n
As a teenager\u00a0Canova was apprenticed for two years to prominent sculptor Giuseppe Bernardi, known as Torretti, before undertaking academic studies and opening his first studio.<\/p>\n
Canova gained widespread recognition for his early works, commissioned by a Venetian senator, including statues of Eurydice<\/em><\/strong> (1773-1775), Orpheus<\/em><\/strong> (1775-1776) and Daedalus and Icarus<\/strong> <\/em>(1779),\u00a0all of which are in the collection of Museo Correr in Venice.<\/p>\n At the age of 22 Canova travelled to Rome where he studied neoclassical sculpture as well as ancient Roman and Greek art.<\/p>\n In 1781 he established a workshop in\u00a0the Eternal City and received patronage and support from the Rezzonico family of Pope Clement XIII and from Venetian ambassador Girolamo Zulian.<\/p>\n Canova won acclaim for his monument to Pope Clement XIV<\/strong>, unveiled in the Basilica dei SS. Apostoli in 1787, and his tomb for Pope Clement XIII<\/strong>, installed in St Peter’s in 1792.<\/p>\n Psyche Revived by Cupid’s Kiss<\/em><\/span><\/p>\n \u00a0<\/p>\n Canova’s international fame was sealed in 1793 with Psyche Revived by Cupid’s Kiss<\/em><\/strong> (Amore e Psiche<\/em>) commissioned by Colonel John Campbell and today in the collection of the Louvre in Paris (a second version is in the State Hermitage Museum in St Petersburg).<\/p>\n In 1796 Canova undertook the monumental marble sculpture of Hercules and Lichas<\/em><\/strong>, completed only in 1815, and now in the collection of the Galleria Nazionale d’Arte Moderna in the Italian capital.<\/p>\n When French troops arrived in Rome in 1798, Canova returned to Possagno where he devoted himself to painting and travels in Europe.<\/p>\n He returned to Rome two years later and in 1802 he met Napoleon<\/strong> in Paris and received a commission to create a monumental statue of the First Consul.<\/p>\n This was the start of a series of works portraying members of the Bonaparte family, most famously\u00a0the sublime sculpture of Napoleon’s sister Pauline Bonaparte as Venus Victrix<\/strong><\/em> (1808), today a star attraction of Galleria Borghese.<\/p>\n Pauline Bonaparte as Venus Victrix<\/em>\u00a0<\/span><\/p>\n \u00a0<\/p>\n In 1815 Pope Pius VII appointed Canova as chief delegate to the Congress of Paris, a mission that proved successful in repatriating numerous precious artworks looted from Italy during Napoleon’s ascendancy.<\/p>\n Canova was celebrated worldwide for The Three Graces<\/em><\/strong>, after an English collector commissioned a second version of the original created for Napoleon’s first wife Jos\u00e9phine de Beauharnais (now in the Hermitage in St Petersburg).<\/p>\n Regarded as a masterpiece of neoclassical European sculpture, the second representation of the three mythological daughters of Zeus was unveiled in London to much fanfare in 1817.<\/p>\n Today the piece is displayed alternately at the Victoria and Albert Museum and the Scottish National Gallery.<\/p>\n The Three Graces (detail)<\/em><\/span><\/p>\n \u00a0<\/p>\n In 1820 Canova completed a life-size marble statue of George Washington<\/strong>, in the style of a Roman general, commissioned by the state of North Carolina.<\/p>\n The work was installed in the North Carolina State House in 1821 but was destroyed by fire\u00a0a decade later.<\/p>\n The last work Canova designed was the new parish church for his native town, Possagno, in the province of Treviso.<\/p>\n Construction of the Tempio Canoviano<\/strong> began in 1819 however the artist never saw the building completed as he died three years later in Venice, on 13 October 1822.<\/p>\n Upon completion of the project in 1830, Canova’s remains were transferred to the neoclassical church in Possagno whose design recalls the Pantheon in Rome.<\/p>\n Canova’s heart is enshrined in a pyramid monument in the church of Frari in Venice, which recently underwent restoration, while his right hand is in the city’s Accademia di Belle Arti.<\/p>\n Gipsoteca Canoviana<\/span><\/p>\n \u00a0<\/p>\n Today Possagno hosts the Canovian Gypsotheca<\/strong> which preserves the heritage of the artist and houses a treasure trove of his works.<\/p>\n Meanwhile those in Rome \u2013 in addition to visiting Canova’s masterpieces around the city \u2013 can call into Caff\u00e9 Canova Tadolini on Via del Babuino, the former studio of Canova and later his apprentice Adamo Tadolini, and enjoy a coffee surrounded by sculptures and casts by both artists.<\/p>\n Cover image: Pauline Borghese as Venux Victrix\u00a0in Galleria Borghese. Photo credit: Vasilii L \/ Shutterstock.com.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":" Canova spent most of his stellar career in Rome. Antonio Canova was a leading Italian sculptor of the neoclassical period, famed for his idealised marble works that were inspired by ancient art. Born on 1 November 1757 in the Venetian Republic town of Possagno, Canova grew up largely in the care of his paternal grandfather<\/p>\n","protected":false},"author":1,"featured_media":41706,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[37],"tags":[13829,3132,10612,27764,27763],"class_list":["post-41705","post","type-post","status-publish","format-standard","has-post-thumbnail","category-eventi","tag-genius","tag-italian","tag-life","tag-neoclassical","tag-works"],"_links":{"self":[{"href":"http:\/\/polinex.cluster021.hosting.ovh.net\/index.php\/wp-json\/wp\/v2\/posts\/41705","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/polinex.cluster021.hosting.ovh.net\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/polinex.cluster021.hosting.ovh.net\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/polinex.cluster021.hosting.ovh.net\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/polinex.cluster021.hosting.ovh.net\/index.php\/wp-json\/wp\/v2\/comments?post=41705"}],"version-history":[{"count":0,"href":"http:\/\/polinex.cluster021.hosting.ovh.net\/index.php\/wp-json\/wp\/v2\/posts\/41705\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/polinex.cluster021.hosting.ovh.net\/index.php\/wp-json\/wp\/v2\/media\/41706"}],"wp:attachment":[{"href":"http:\/\/polinex.cluster021.hosting.ovh.net\/index.php\/wp-json\/wp\/v2\/media?parent=41705"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/polinex.cluster021.hosting.ovh.net\/index.php\/wp-json\/wp\/v2\/categories?post=41705"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/polinex.cluster021.hosting.ovh.net\/index.php\/wp-json\/wp\/v2\/tags?post=41705"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Napoleon<\/h4>\n
Tempio Canoviano<\/h4>\n